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The June 1975
issue of Popular Photography published the
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article
"Pinholes for the People", based on Phil Simkin's month-
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long project
with 15,000 hand-assembled and preloaded
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pinhole cameras
in the Philadelphia Museum of Art. People
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came into the
museum, picked up a camera, made an
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exposure. The
images, developed in a public darkroom in the
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museum, were continually
displayed in the museum
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